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Oh na na na reggae
Oh na na na reggae










oh na na na reggae

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oh na na na reggae

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  • And, says Dawes, the anthology contains examples of what he refers to as the "reggaefication" of songs that aren't part of the canon of indigenous Jamaican music.Or play Top 15 ukulele chords on ukulelearn↓ "Establishing that narrative of the evolution of the music to say that these are all in conversation with each other, that concept of a music that is evolving, was one of the achievements of that compilation."ĭawes says The Trojan Story is also valuable because it includes lesser-known recordings by reggae superstars like Desmond Dekker and Jimmy Cliff.

    oh na na na reggae

    "This compilation is really covering about 10 years of important musical evolution in Jamaica," says Dawes, who grew up on the island. The Trojan Story anthology accomplished just that, says Kwame Dawes, a scholar of reggae music, professor at the University of Nebraska and native of Jamaica. I wanted people to be able to listen to the music and say, 'Oh, I see, that sort of influenced that and that influenced that and, ah, here we are: Now we're at reggae.' " "I didn't want to make it all reverential, necessarily, and scholarly but I wanted to give it some respect. The Trojan anthology had been out for a year before the film was completed. charts, but it's one of two songs from The Trojan Story that made it into The Harder They Come, the 1972 film credited with greatly expanding reggae's popularity. The 1969 song "Pressure Drop" by Toots and the Maytals didn't make it onto the U.K. Instead, he emphasized the music's breadth. But Bell made a conscious decision not to include any hits on the compilation. By 1969, 1970, we had several records on the hit parade in Britain."īell came up with the idea of putting out a triple-LP anthology, titled The Trojan Story, in 1971 and was in charge of selecting its 50 tracks, which range from mento – the Jamaican cousin of calypso – to ska, rock steady and reggae. "It didn't see any national exposure at all until some of these records started to make a little bit of noise. At first the label's records sold mostly via word of mouth after people heard them at clubs and on pirate radio. When Trojan Records was launched in 1968, Bell became its production manager. In 1965, Bell went to work for the fast-rising Island Records, which would later sign Bob Marley, as well as Toots and the Maytals.












    Oh na na na reggae